Atomic Squeeze Box (4ch.)
Pendulum OCL-2 (2ch.)
Chandler Germanium (2ch.)
Langevin ELOP (4ch.)
BAE 10DC (2ch.)
UREI LA-3 (vintage) (2ch.)
UREI LA-4 (vintage) (2ch.)
UREI 1176 Revision-A clone
Empircal Labs Distressor  EL-8
Thermionic Phoenix Mastering (2ch.)
Thermionic CULTURE VULTURE (2ch.)
Manley ELOP (2ch.)
Manley Vari-Mu (2ch.)
Alan Smart C-1 (SSL) (2ch.)
D.W. Fearn VT-7 (2ch.)
Chandler/EMI TG12413 Zener Limiter (2ch.)
Crane Song TRAKKER (2ch.)


Bricasti M7 (2)
Lexicon 300L
EMT 140 plate
Eventide H3000 D/S
Lexicon PCM 42 (4)
Sony R7
Sony D7
Sony M7
Sony F7
TC Electronic 1210 Stereo Chorus


Manley Gold Reference (tube)
Neumann U67 (tube)
Neumann U89i (2)
Neumann U87i
Neumann KM84 (2)
RCA BK11 (2)
Schoeps CMC5/MK2 (2)
Royer R-122 (2)
Lauten Horizon (2)
Lauten Atlantis
AKG C460/CK61 (2)
AKG D-112
Lucus C4 (Telefunken U47)
Sennheiser MD-421 II (2)
Sennheiser e609
Shure SM57 (5)
Shure SM81
Shure KSM 313
Heil PR-40
Electrovoice RE-20


The acoustically modular panelling allows for flexibility and adaptability in the live room. Basic elements include an absorptive surface with a 'low frequency flowthrough' concept. This ports or channels bass frequency to adjacenct areas of the building, attenuating build up and allowing for a linear decay time and musical neutrality. Conversly in the closed position, the hardwood surface creates a revealing and reflective environment.

Microphone Preamps:

D.W.Fearn VT-2 (2ch.)
BAE 1028 ( expanded NEVE 1081 ) (8ch.)
Helios Type 69 (2ch.)
Chandler TG-2 (4ch.)
Wunder PA-4 plus (4ch.)
API 312a (2ch.)
Focusrite ISA-215 (8ch.)
Langevin AM16 (4ch.)



BAE 1028 ( expanded NEVE 1081 ) (8ch.)
API 5500 (8ch.)
API 560 (2ch.)
( PULTEC ) Pulse Techniques EQM-1A3 (4ch.)
Chandler/EMI TG12345 Curve Bender (4ch.)
Helios Type 69 (2ch.)
D.W. Fearn VT-5 (2ch.)
Manley Massive Passive (2ch.)
Langevin Mini Massive (4ch.)
Focusrite ISA-215 (8ch.)
URI 565 filter set (2ch.)
Quad 8 filer set (2ch.)


Rupert Neve Designs 5088 32ch.


ATC SCM150ASL main monitors
ATC SCM0.1/15ASL subwoofer
ProAc Studio 100
Yamaha NS-10m (by request)
Bryston 4B SST
Aviom (4)
Audio-Technica ATH-M50 headphones (6)

Digital Workstation:

ProTools | HDX1 System
Avid HD I/O 16/16 (2)
Avid HD I/O 8x8x8
UAD2-Quad Core DSP Card
Mac Pro 12-Core 2.66mhz
Forssell MADA-2
Grimm CC-1 Master Clock





Original echo chamber currently outfitted with dual omni AKG 451s in coincident configuration with UREI 1108 microphone amplifiers.


The BAE 1028 is a hand-wired microphone amplifier / equalizer using Carnhill (St. Ives) transformers.  It has the exact same mic/line preamp as the NEVE 1073, but with significantly more frequencies in the mid and hi sections.  

The BAE 10DC limiter is a combination of two classic Neve compressors.  It has the side chain input section of the 33609 combined with a Class A amplifier stage more closely related to the 2254.



1925 Chickering 6' grand.



Fender 61′ Vibrasonic
Fender 65′ Deluxe Reverb
Fender 63″ Bassman
Fender Super Reverb
Ampeg B15
Orange Tiny Terror
SWR Studio 400/Goliath 3 cab